Qing Dynasty

Gu Yanwu's "Ri Zhi Lu": A conscripted soldier in Li Li, if forgotten in the world, sometimes unable to stop his emotions. Those who see his emotions only slightly are true, and those who are eager to express themselves in a violent manner and speak falsely.

"Zizhong Essays": Tao Zhengshi and Wei Suzhou were not straightforward and upright, but truly had aspirations for the world.

Wang Fuzhi's "Selection of Ancient Poetry": Zhong Rong believed that Tao's poetry "originated from Yingqu" and "is the ancestor of ancient and modern reclusive poets". However, since I am not deeply immersed in the Six Righteousness, I do not know the accuracy of this statement. Flatness in poetry is a unity of its own. It is said that those who are average do not have complicated situations, while those who are indifferent do not have annoying intentions. Tao's poetry is abundant here, but is it not unique to Tao's poetry? If we consider slang as plain and tasteless as bland, Tang's Yuan and Bai, Song's Ou and Mei are considered victorious based on this. And when a line desires, it leads to its growth; The desire to come and go is like a flock of birds, so that it is suitable for the old woman, known as a barbarian. If one is arrogant, they do not know that it is not warm to expose their back and want to offer it. And as in the article "Guan Ju", it is actually the beginning of the wind. As someone who is not complicated or troublesome may say, the title is plain, how can it be? Master Nai called it "not obscene but not harmful" and "the foundation of Wang Hua.". Where is the person who does not engage in lewdness or harm? From ancient times, there is no comparison between them. Those who are called plain, those who are lewd but do not return, and those who are injured but lack integrity. Tao Shiheng has a tendency to express his thoughts in a straightforward manner, with many sentences and numbers. He is afraid that the ignorant may not know his meaning, so he uses music to express his sorrow. If he hears his crying and laughter, then only the reclusive can achieve nothing. He has already exchanged rewards with the old woman in the farmhouse, so he has become accustomed to it; I don't know where to go because of it. I know that Zhong Rong's quality of pottery is the true achievement of Tao.

Feng Ban's "Corrections to Mistakes in Canglang Poetry": When a poet talks about drinking alcohol, he does not think it is taboo. This is also the beginning of Tao Gong's work.

Chen Zuoming's "Selected Poems from Caishu Hall": A poem of thousands of years, referring to Wei Tao and Du Keye Tao Jingjie's poetry is like the high autumn in the Wu Gorge, with white clouds rolling and clear water falling from the trees. In the cold sun and clear mountains, the long sky sways and practices, lingering and soothing.

Wang Wan's "Praise on Tao Yuanming's Statue" states that after the decline of the Jin dynasty, it was sent to slaves for inheritance. Ant fighting and fly camp, the public hates shame. To flock birds and beasts, there is no place to dwell. The source of peach blossom is a special fable. The wind grows in the north window, and chrysanthemums sprout from the east fence. How to please one's aspirations and compose poetry on the qin. A hundred poems are left behind, praising the desolate and desolate scenery. After the Second Su, who can know about it?

Zhu Yizun's "On the Book of Tao Jingjie in the Book of the Dead Child" states that the young master of Shaoling, mocking Tao Gong, may not be able to reach the Tao, is not devout in discourse.

Ye Xie's "Original Poems": Tao Qian had a broad mind and abandoned everything in the world, so his poetry did not come from the world. Outside of the realm of poets, there is also Samadhi.

Zhang Qianyi's "A Discussion on the Poems of the Zhai Studio": Tao's poetry is close to people in every sentence, but his words are exquisite. It is not about time or intelligence. Only because of his broad mindedness, his mouth is extraordinary.

Wu Song's "On Tao" states that the Yuan and Ming dynasties are not reclusive. They are loyal to their rulers and love their country, filled with sorrow and anger, and unable to control themselves. They occasionally appear in poetry, and their words and phrases are gentle and peaceful, without being provoked or followed, which deeply embodies the meaning of the "Three Hundred Chapters".

He Yisun's "Poetry Raft": Tao Yuanliang's poetry, calm yet never tire of it. Why not get tired of it? Thick is also important. Poetry is inherently rich and thin, light and thick Among the poets of Jin Dynasty, Tao Yuanliang is the only one who can establish his own door with simplicity.

Wu Zhantai's Preface to the Collection and Annotation of Tao Poetry: Ancient poetry has been written since the Han Dynasty, with Jingjie as its ancestor. Its lyrics are concise, simple, and exquisite. It is truly said that "clear water produces hibiscus, naturally without carving or embellishment.".

Qiao Yi's "Jianxi Shuo Shi": Tao's poetry is mixed with the Yuan Dynasty and became a unique style in the Six Dynasties.

Shen Deqian's "Commentary on Poetry": After becoming a famous minister, Tao Gong was unable to express himself when he changed his position. He was constantly relying on his words, not only in the chapter "Ode to Jingke", but also among the top figures of the Six Dynasties. His poetry can stand out from the world and be independent. According to Zhong Jishi, its origin comes from Yingqu, and its purpose is of medium quality. One word is not wise, and it is difficult to express one's regret.

Ji Yun's "Preface to the Cloud Forest Poetry Collection": Tao Yuanming's poetry often has strong arguments, but it is not as clumsy as Ming's humanistic poetry.

Zhao Wenzhe's "A Tale on the Poetry of Yanyatang": Tao Gong's poetry is full of vitality, natural and unrestrained, pure and unrestrained. Playing with its body and objects to express emotions, Fu Se Jie Xiang is not something that is easy to come up with. People use vernacular as Tao's poetry, which is truly comparable. Scholars must learn from this, but it is not advisable to learn too much.

Li Diaoyuan's "Rain Village Poetry Talk": Yuan Ming poetry is pure, distant, and leisurely, which is its true nature, and there is a section of it that is deep, ancient, simple, and lush that cannot be reached.

Song Dazun's "On the Fragrance of Tea Poetry" states that the excellence of Yuanming's pastoral poetry is superior to the high interest of its people. What should Yuan Ming do while wandering the mountains and composing poetry? During the Song Dynasty, there were no poets who exceeded the realm of leisure, so they were called fortunate along with Tao.

Fang Dongshu's "Zhan Yan of Zhaoming" states that Tao Gong, on the other hand, only had his own thoughts flowing out of his mind, without learning from others, and had no intention of writing poetry.

Pan Deyu's "A Tale on the Poetry of Raising a Studio": Although Tao Gong's poetry is full of natural opportunities and tranquility, there are twists and turns in it, and there is indeed a feeling of sorrow, anger, and Chen Yu's irreconcilable spirit. It is not only during the transition period that he is eager to seek revenge.

Gong Zizhen's "Miscellaneous Poems": Tao Qian likes to talk about Jing Ke in his poetry, and wants to see "Stopping Clouds" sing a grand song. Amidst the surging emotions of gratitude and enmity, there are few heroes in the martial arts world.

Tao Qian is like a reclusive dragon, towering like a pine and chrysanthemum in Xunyang throughout history. Mo Xin's poet is surprisingly plain, divided into two parts: "Liang Fu" and "Sao".

Tao Qianlei has a calm and warm temperament, and the underworld rewards him with a meal of kindness. I quite feel that Shaoling's poem has a thin kiss, but his words knock on the door of the wealthy.